Half co-working space, half boutique hotel, The Hoxton’s latest venture offers an intriguing glimpse of a loose-fit future – my review for Concrete Quarterly
The Hoxton Southwark, London
1a Earl’s Court Square, London
The utilitarian materials of Sophie Hicks’ Earls Court house conceal a highly sophisticated machine – a review for Concrete Quarterly
James Simon Galerie, Berlin
I went to Berlin for Concrete Quarterly to review David Chipperfield’s gateway to the city’s Museum Island – and discovered the importance of architectural purposelessness
Bauhaus Museum Weimar
I wrote this review for Concrete Quarterly about Heike Hanada’s new Bauhaus museum – a building that is quietly eloquent about the movement’s complex history
Switch House, London
How engineer Ramboll solved the structural riddle of Tate Modern’s twisted new extension. A review for Concrete Quarterly, Autumn 2016
Wolfson College, Oxford
Berman Guedes Stretton updates a Powell and Moya classic – a review for Concrete Quarterly, Winter 2016
Bundner Kunstmuseum, Chur
Barozzi Veiga has dropped a perfectly wrapped, sealed box in the middle of a Swiss square. A review for Concrete Quarterly, Winter 2016
Blavatnik School of Government, Oxford
Herzog & de Meuron has landed a mysterious glass shape-shifter in the heart of Oxford. I spoke to Jacques Herzog about it for Concrete Quarterly, Summer 2016
Toho Gakuen School of Music, Tokyo
A review of “the best new education building on the planet” for Concrete Quarterly, Spring 2016
Ingersoll Road, London
McLaren Excell tweaks the traditional London terrace. A review for Concrete Quarterly, Winter 2015
